Лингвориторический (ЛР) аспект репрезентации базовой оппозиции «Природа/социум» и ряда конкретизирующих ее оппозитивов в художественном тексте рассматривается на примере идиодискурса К. Бальмонта. Эссе «Москва в Париже» (1926 г.) - яркий пример металогизма антитезы на основе базовой оппозиции «Природа/социум».

The linguistic and rhetorical (L&R) aspect of the basic opposition "Nature/society" representation and a number of its concretizing opposites in a belletristic text is researched on the example of emigrated poet K. Balmont idiodiscourse, an essay "Moscow in Paris" (1926). This is a vivid example of the consistent and complete metalogism of antithesis. The basic opposition "Nature - society" in the system of its conceptual images of L&R representations plays the role of "psychoenergetic bridge". The latter one carries the producer of idiodiscourse (= lyrical hero of the text) from the physical reality of Paris (referent-1, "objective world") to Moscow, left out of will (referent-2, "art world", with transition to referent-3 - "objectively possible world ").